Bibliografía básica
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Carby, Hazel (1987). Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. New York: Oxford UP
(). African American Review.
Christian, Barbara (1980). Black Women Novelists, 1892-1976. Westport (Connecticut) : Greenwood Press.
Beaulieu, Elizabeth Ann (1999). Black Women Writers and the American Neo-Slave Narrative . Westport: Greenwood P.
Baker, Houston (1984). Blues, Ideology, and Afro-American Literature a vernacular theory. Chicago: Chicago UP.
Hill, Patricia Liggins (ed) (1998)). Call and Response: The Riverside anthology of the African American Literary Tradition.
hooks, bell (2000). Feminist theory from margin to center. Cambridge : Bell Hooks.
Stepto, Robert (1991). From Behind the Veil: A Study of African American Narrative. Urbana: U of Illinois P.
Christian, Barbara (2007). New Black feminist criticism, 1985-2000 . Urbana : University of Illinois Press.
Gates, Henry Louis, Jr. (1997). Norton Anthology of African American Literature.. Norton
hooks, bell (2006). Outlaw culture : resisting representations /. New York: Routledge
Andrew, Foster and Trudier Harris (eds) (2001). Oxford Companion to African American Literature. Oxford UP.
Gates, Henry Louis Jr. (1985). Race, Writing, and Difference. hicago : The University of Chicago Press
hooks, bell (2010). Teaching critical thinking : practical wisdom. New York: Routledge
Bell, Bernard (1987). The Afro-American Novel and its Tradition. Amherst : University of Massachusetts Press.
Graham, Maryemma (2004). The Cambridge Companion to the African American Nove. Cambridge UP
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Required readings: Phillis Wheatley's "On Being Brought from Africa to America" (1773) (poem) Harriet Jacobs' Incidents in the Life of a Slave Girl (1861) [excerpts] Frederick Douglass' Narrative of his Life, Written by Himself (1866). Sojourner Truth's "Aren't I a Woman? (1851) [Recording] [pages 198-201]. Norton Anthology for African American Literature. (speech) Zora Neale Hurston's "Sweat" (1926). Short story. [pages 999-1008]. tRichard Wright's "The Ethics of Living Jim Crow: An Autobiographical Sketch". Short story. [pages 1388-1398] Lorraine Hansberry's A Raisin in the Sun (1959). Play. [pages 1728-1779] Toni Morrison's The Bluest Eye (1970). Novel. |
Bibliografía complementaria
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Gadsby, Meredith. (2006). Sucking salt : Caribbean women writers, migration, and surviva. Columbia : University of Missouri P.
Frias, María (1998). "Marriage Doesn't Make Love": El discurso del matrimonio en la obra de Zora Neale Hurston. Alcalá: Universidad de Alcalá
Eastwood, Clint (dir.) (2001). Bird. Madrid: Warner Bross
Naylor, Gloria (2004). Conversations with Gloria Naylor . Jackson : University Press of Mississippi
King, Lovalerie (2008). he Cambridge introduction to Zora Neale Hursto. New York: Cambridge UP
Sirk, Douglass (dir.) (2005). Imitation of life. Universal City, Calif. : Universal Studios Home Video.
Fleischner, Jennifer. (1996). Mastering slavery : memory, family, and identity in women's slave narratives. New York: New York UP
Fraile, Ana (1996). ora Neale Hurston y su aportación a la literatura afroamericana [Recurso electrónico]. Salamanca: Universidad P.
(2010). Precious. Madrid: Warner Bross
Sapphire (2010). Push.
Amian, Katrin. (2008). Rethinking postmodernism(s) : Charles S. Peirce and the pragmatist negotiations of Thomas Pynchon, Toni Morrison, and Jonathan Safran Foer . Amsterdam ; New York : Rodopi
Conner, Marc C. (2000). The aesthetics of Toni Morrison speaking the unspeakable. Jackson: UP of Miss.,
Coppola, Francis (dir.) (1984). The Cotton Club . [USA] : Zoetrope Studios
Denard, Carolyn C. (ed). (2008). Toni Morrison : conversations. Jackson: UP of Miss.,
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This is just a selecte bibliography which also includes visual material.
Student will be provided with an extended version of this list (specific authors, in particular), and more audio visual material will be incorporated.
This material is fundamental to better understand the social reality of race and gender in mainstream US. That is the reason why students will be encouraed to watch the films (some remarkable films on amazing artists such as Bird, Billie Holiday, Ray Charles or Tina Turner), as well as the play version of The Raisin in the Sun by Lorraine Hansberry, or the film version of Richard Wright's Native Son where the writer plays the role of the protagonist. The Women of Brewster Place by Gloria Naylor, The Color Purple by Alice Walker, or Beloved, based on Toni Morrison's novel of the same title are a must for the students of this subject.
Students are encouraged to bring to class any material they might find related to the African American community in the United States (a new concert or show; a new film; a new book; or any kind of news in the media).
Since there is a growing community of African origin in Galicia, I would encourage the students to pause for a minute and think about what is behind that anonymous face they meet in the streets (usually selling illegal articles, and penalized by the local police). The stories you are familiar with can be incorporated within the fictional stories we will be reading in class. |