Study programme competencies |
Code
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Study programme competences / results
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A1 |
Coñecer e aplicar os métodos e as técnicas de análise lingüística e literaria. |
A2 |
Saber analizar e comentar textos e discursos literarios e non literarios utilizando apropiadamente as técnicas de análise textual. |
A3 |
Coñecer as correntes teóricas da lingüística e da ciencia literaria. |
A6 |
Ter un dominio instrumental avanzado oral e escrito da lingua inglesa. |
A9 |
Elaborar textos orais e escritos de diferente tipo en lingua galega, española e inglesa. |
A10 |
Ter capacidade para avaliar criticamente o estilo dun texto e para formular propostas alternativas e correccións. |
A11 |
Ter capacidade para avaliar, analizar e sintetizar criticamente información especializada. |
A14 |
Ser capaz para identificar problemas e temas de investigación no ámbito dos estudos lingüísticos e literarios e interrelacionar os distintos aspectos destes estudos. |
A15 |
Ser capaz de aplicar os coñecementos lingüísticos e literarios á práctica. |
A16 |
Ter un coñecemento avanzado das literaturas en lingua inglesa. |
A17 |
Coñecer a historia e a cultura das comunidades anglófonas. |
B1 |
Utilizar os recursos bibliográficos, as bases de datos e as ferramentas de busca de información. |
B2 |
Manexar ferramentas, programas e aplicacións informáticas específicas. |
B3 |
Adquirir capacidade de autoformación. |
B4 |
Ser capaz de comunicarse de maneira efectiva en calquera contorno. |
B5 |
Relacionar os coñecementos cos doutras áreas e disciplinas. |
B6 |
Ter capacidade de organizar o traballo, planificar e xestionar o tempo e resolver problemas de forma efectiva. |
B7 |
Ter capacidade de análise e síntese, de valorar criticamente o coñecemento e de exercer o pensamento crítico. |
B8 |
Apreciar a diversidade. |
B9 |
Valorar a importancia que ten a investigación, a innovación e o desenvolvemento tecnolóxico no avance socioeconómico e cultural da sociedade. |
B10 |
Comportarse con ética e responsabilidade social como cidadán/á e profesional. |
C2 |
Dominar a expresión e a comprensión de forma oral e escrita dun idioma estranxeiro. |
C3 |
Utilizar as ferramentas básicas das tecnoloxías da información e as comunicacións (TIC) necesarias para o exercicio da súa profesión e para a aprendizaxe ao longo da súa vida. |
C4 |
Desenvolverse para o exercicio dunha cidadanía aberta, culta, crítica, comprometida, democrática e solidaria, capaz de analizar a realidade, diagnosticar problemas, formular e implantar solucións baseadas no coñecemento e orientadas ao ben común. |
C7 |
Asumir como profesional e cidadán a importancia da aprendizaxe ao longo da vida. |
C8 |
Valorar a importancia que ten a investigación, a innovación e o desenvolvemento tecnolóxico no avance socioeconómico e cultural da sociedade. |
Learning aims |
Learning outcomes |
Study programme competences / results |
To know how to read critically. |
A1 A2 A3 A6 A9 A10 A14 A16 A17
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B1 B2 B3 B4 B5 B6 B7 B8 B9 B10
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C2 C3 C4 C7 C8
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To be able to analyze a given text from different critical perspectives. |
A11
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To familiarize with contemporary American authors and their corresponding texts. |
A2 A6
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To know how to use bibliography available at the Library, as well as search via internet. |
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B1
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Be able to express their ideas in English. Students should make good use of English grammar, and write critically, readable, and well organized paragraphs/tests. |
A15
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Be able to summaryze plots, short articles or reviews, and come up with most relevant topics. Verbalize their ideas clearly and in a cohesive way |
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B7
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To use socio-historic knowledge to look at the lives of the writers and/or many of the protagonist in a totally different light. And learn from it. |
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C4
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Be able to put into practice their linguistic and literary knowledge. |
A15
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Contents |
Topic |
Sub-topic |
1. Towards 'The Real Thing': From Romance to realism in the literature of the United States, 1850-1914 |
1. American realities and literary realism: Mark Twain and Henry James
2. From regionalism to naturalism: Kate Chopin and Stephen Crane |
2. 'A Homemade World': American Modernism and its context, 1914-1945 |
1. Poetry: Frost, Pound, Williams, Stevens, Moore
2. Prose: Fitzgerald, Hemingway, Faulkner |
3. Post-War to postmodern to ... |
1. Post-war angst: Salinger
2. Postmodern uncertainties: Donald Barthelme, Tim O'Brien
3. Multicultural multiplicity: Sandra Cisneros
4. After the "post-", after 9/11: Don DeLillo |
Planning |
Methodologies / tests |
Competencies / Results |
Teaching hours (in-person & virtual) |
Student’s personal work hours |
Total hours |
Directed discussion |
A1 A2 A6 A15 B4 B5 B8 B10 C2 C4 C7 |
7 |
0 |
7 |
Guest lecture / keynote speech |
A3 A16 A17 |
35 |
0 |
35 |
Short answer questions |
A1 A2 A6 A9 A10 A15 |
7 |
5 |
12 |
Document analysis |
A11 A14 B1 B2 B3 B6 B7 B9 C3 C8 |
0 |
75 |
75 |
Long answer / essay questions |
A1 A2 A6 A11 A15 A16 A17 B1 B5 B6 C2 |
0 |
20 |
20 |
|
Personalized attention |
|
1 |
0 |
1 |
|
(*)The information in the planning table is for guidance only and does not take into account the heterogeneity of the students. |
Methodologies |
Methodologies |
Description |
Directed discussion |
Given a relevant and controversial topic from the texts we are reading, students are encouraged to focus on one particular aspect and provide their own interpretations based on the information found in the text.
The purpose is for the students to take sides, and defend their own ideas in front of an audience critically and logically with the help of the text itself or the bibliography chosen by them. |
Guest lecture / keynote speech |
At the beginning of each particular chapter, instructor would provide students with a general socio-historic overview of American society to better contextualize the text we are reading.
The aim is to point at major themes dealt with, brief comparative analysis of characters, as well as a brief but clear comment on narrative techniques used by a particular author.
A power point presentation is usually used, as well as interviews with writers, or documentaries which reflect on the specific literary movement and / or writer.
This lecture-type class is nevertheless dialogic, and students are encouraged to participate with comments and/or questions. The lecturer also provokes the students with questions or "brainstorming-type" warming up before focusing on topic chosen. |
Short answer questions |
This is a "quizz-type" exercise.
Students are given relevant information from texts analyzed in class, briefly identify them, and explain reasons why they thinks they are relevant for the particular text.
Example: From the name of a protagonist, an object, a particular metaphor, or a catchy line.
The purpose of this assignement is for students to go from the particular to the general, and provide their own interpretations. |
Document analysis |
Close-reading and critical analysis of texts. |
Long answer / essay questions |
The purpose of this assignment is for the students to write a comparative essay.
They are given different options, and can choose among topics which focus on form and structure or on specific themes.
At this stage, students should be able to support their ideas with evidence (quotes) from the texts.
No memorization is needed. Essay should be well organized (introd., body, and conclusion), and provide a personal and in-depth comparison.
Students are allowed to use their required texts for this in-class test. |
Personalized attention |
Methodologies
|
Document analysis |
Directed discussion |
Guest lecture / keynote speech |
Short answer questions |
Long answer / essay questions |
|
Description |
Students will be fully informed in class about the different assignments as well as through the syllabus provided. However, given the variety of students' background, they will also count with personalized attention, preferibly in small groups (max. 4), or individually. |
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Assessment |
Methodologies
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Competencies / Results |
Description
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Qualification
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Document analysis |
A11 A14 B1 B2 B3 B6 B7 B9 C3 C8 |
Final exam requiring response to one of two essay questions. |
30 |
Short answer questions |
A1 A2 A6 A9 A10 A15 |
Short, in-class exercises set every week when possible. They will consist of short quizzes, text identification and short personal responses to specific sections of the set texts. Class participation and voluntary group presentations will also form part of this percentage in order to boost a student's marks. Attendance at our seminar sessions is absolutely necessary. Students who do not attend without justified cause will be penalized as they will not be eligible for marks awarded for participation. |
10 |
Long answer / essay questions |
A1 A2 A6 A11 A15 A16 A17 B1 B5 B6 C2 |
1. Two essays (750-1000 words & 1000-1250 words) on a subject of the student's choice in consultation with the teacher or based on a set question list that I will hand out. Hand-in dates will be set in consultation with the class. No essay will be accepted after the hand-in date. The essays will count for 50% (20% the first essay & 30% the second) of your mark.
2. A take-home exercise to be done on the same day it is handed out. This essay is worth 10% of your final marks. |
60 |
|
Assessment comments |
Students must score at least 4/10 in all set work in order to be eligible for a final grade. Failure to do so means that you must repeat the exercise for the July examination period, except for the in-class work. Students with official exemption must do all the work except for the in-class exercises. That is, the essays (50% of final mark) and the take-home exercise (10%) and the final exam (40%). The same percentages will apply to those students who opt for the July exam opportunity. Students sitting the December exam (final exam brought
forward) will be assessed according to the criteria specified for the July
opportunity.
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Sources of information |
Basic
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Required Readings:
[Most texts are available in the two Norton anthologies (8th ed.). Most texts will be available for students as pdf files. You are earnestly encouraged to do some of the reading before the beginning of the course.]
Mark Twain, Adventures of Huckleberry Finn Henry James, Daisy Miller: A Study Kate Chopin, "At the 'Cadian Ball", "The Storm" Stephen Crane, "The Open Boat" Modernist poetry, selected poems by Robert Frost, Ezra Pound, William Carlos Williams, Wallace Stevens, & Marianne Moore F. Scott Fitzgerald, The Great Gatsby [Penguin, 2013] Ernest Hemingway, selected stories: "Big Two-Hearted River" William Faulkner, As I Lay Dying J. D. Salinger, The Catcher in the Rye [Penguin, 2010] Tim O'Brien, "How to Tell a True War Story" Donald Barthelme. "The Balloon" Sandra Cisneros, "Mericans" Don DeLillo, Falling Man [Pan Macmillan, 2011]
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Complementary
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Complementary materials, both contextual and critical, will be made available via the course Moodle page. AMERICAN
LITERATURE II - BIBLIOGRAPHY Literary
histories & general studies. Bradbury,
Malcolm. The Modern American Novel.
New York: Oxford UP, 1992. Cassuto,
Leonard, Clare Virginia Eby & Benjamin Reiss, eds. The
Cambridge History of the American Novel.
Cambridge: Cambridge University Press, 2011. Elliott,
Emory, gen. ed. Columbia Literary
History of the United States. New
York: Columbia University Press, 1988.
Fiedler,
Leslie A. Love and Death in the
American Novel. 1960. London:
Penguin, 1984. Gray,
Richard. A History of American
Literature.
Oxford: Blackwell, 2004. Kazin,
Alfred. On Native Grounds: An
Interpretation of Modern American Prose Literature.
1942. New York: Harcourt
Brace, 1995. Ruland,
Richard & Malcolm Bradbury. From
Puritanism to Postmodernism: A History of American Literature.
London:
Routledge, 1991.
American
Realism(s). 1.
General studies: Barrish,
Phillip J. The Cambridge Introduction to American Literary
Realism. Cambridge: Cambridge
UP, 2011. Berthoff,
Werner. The Ferment of Realism: American Literature 1884-1919.
1965. Cambridge: Cambridge UP, 1981. 1-47. Pizer,
Donald, ed. The Cambridge Companion to American Realism and
Naturalism: Howells to London. Cambridge:
Cambridge University Press, 1995.
2.
Individual authors & works: 2.1.
Mark Twain. Twain,
Mark. Adventures
of Huckleberry Finn. (A Norton Critical Edition).3rd ed.
Ed. Thomas Cooley.
New York: Norton, 1998. Fishkin,
Shelley Fisher, ed. The Mark Twain
Anthology: Great Writers on His Life and Works.
New York: The Library of
America, 2010. Messent,
Peter. The Cambridge Introduction to
Mark Twain.
Cambridge: Cambridge University Pres, 2007. Cf.
1-38, 73-87.
Quirk,
Tom. “The
Realism of Huckleberry Finn.”
In
Coming to Grips with
Huckleberry Finn: Essays on a Book, a Boy, and
a Man.
Columbia, Mo.: University of Missouri Press, 1993. 83-105. 2.2.
Henry James
James,
Henry. Tales of Henry James. (A Norton Critical Edition).
Eds. Christof Wegelin & Henry B. Wonham. 2nd
ed. New York: Norton, 2003.
Hocks,
Richard A. Henry James: A Study of the Short Fiction. Boston:
Twayne, 1990. Cf. 3-11,
31-35, 141-147. American
Modernism(s). 1.
General studies: Anderson,
Quentin. "The Emergence of Modernism." Columbia
Literary History of the United States.
Gen. Ed. Emory
Elliott. New York: Columbia University Press, 1988.
695-714. Bradbury,
Malcolm & James McFarlane. "The Name and Nature of
Modernism". Modernism: A Guide
to European
Literature 1890-1930.
Eds. Malcolm Bradbury & James McFarlane. London: Penguin, 1976.
19-55. Singal,
Daniel. "Towards a Definition of American Modernism."
Modernist Culture in America.
Ed. Daniel Singal. Belmont, Calif.: Wadsworth, 1991. 1-27. |
Recommendations |
Subjects that it is recommended to have taken before |
Literatura Norteamericana 1/613G03024 | A Literatura Inglesa e a súa Crítica/613G03032 | Literatura e Artes Visuais/613G03044 |
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Subjects that are recommended to be taken simultaneously |
Técnicas de Redacción e Argumentación/613G03027 | A Literatura Inglesa e a súa Crítica/613G03032 |
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Subjects that continue the syllabus |
Literatura Poscolonial/613G03026 | Literatura Inglesa e Xénero/613G03043 | Literatura Norteamericana nos seus Textos/613G03047 |
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Other comments |
This
6 credit course is conceived as a continuation of Literatura
Norteamericana I. It continues, therefore, the review of the
literature of the United States from its colonial beginnings to the
present century. In this case, the historical review focuses on the
post-Civil war period and the modernist writers, with a sprinkling of
post-WWII texts. This is the period that sees the establishment of a
canonical tradition of American literature. Time limitations restrict
the number and the length of the works to be treated (hence, in part,
the concentration on short texts and poetry) and economic as well as
literary considerations (number, quality, and representativeness of
the selections) determine the choice of the Norton anthology as the
source of most of the texts analyzed in class. If you rely on
photocopies, a course pack will be provided before the beginning of
the course and ideally before your summer vacation The
texts will be read, roughly, in their chronological order, with
attention being paid to their historical contexts and their
reflection of and on the literary and cultural interests of their
period. We will spend most of the course dealing with the production
of a modern and "modernist" American literature, focusing
especially on the connection between the notion of modernity and
American literature. The creation of a self-consciously "American"
and modern literature begins in the post-Civil War period and so we
begin with the diverse modes of "realist" writing of the
turn of the century and their attempts to represent the often chaotic
plurality of modern American reality. Class-work
will concentrate almost exclusively on close analysis of the texts
themselves. This course is not only a review of some of the most
important works and writers of the period from the late nineteenth
century down to the post-1945 period; it is also predominantly an
exploration of how these texts work, what writing strategies they
initiate, what interpretative responses they elicit and what cultural
work they carry out in their portrayal of an American reality. As we
shall see, this is especially pertinent to American literature given
its constant concern with how "America" itself should be
read and written. Given
this approach, students must read the texts their analysis in class so that adequate comprehension may be more or
less taken for granted and fruitful discussion may be possible. This
is merely stating the obvious but it is especially necessary for a
course in which your rhythm of reading will have to be regular and
sustained for you to get the most out of it. Your are also expected
to read the Norton anthology's short period and author introductions
as helpful background to your reading of the primary texts. |
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