Identifying Data 2023/24
Subject (*) Aesthetics Code 771G01040
Study programme
Grao en Enxeñaría de Deseño Industrial e Desenvolvemento do Produto
Descriptors Cycle Period Year Type Credits
Graduate 1st four-month period
Fourth Obligatory 6
Language
Spanish
Galician
Teaching method Face-to-face
Prerequisites
Department Didácticas Específicas e Métodos de Investigación e Diagnóstico en Educación
Proxectos Arquitectónicos, Urbanismo e Composición
Coordinador
Blanco Lorenzo, Enrique Manuel
E-mail
enrique.blanco@udc.es
Lecturers
Blanco Lorenzo, Enrique Manuel
García Requejo, Zaida
E-mail
enrique.blanco@udc.es
zaida.garcia@udc.es
Web http://estetica.materias.udc.gal/
General description Importante para a aprendizaxe do futuro graduado será a súa formación nas materias de carácter humanístico que tan escasas son sempre nos estudos de fuerte contido de carácter técnico. Aprender a ver e a pensar nos termos axeitados da disciplina permitirán ao estudante afrontar as materias, e o que resulta fundamental, achegarse ao mundo profesional cós coñecementos propios fundamentados nas experiencias estéticas revisadas dun xeito histórico. Mirar cara ó futuro coa seguridade de llevar connosco un espello retrovisor que nos permite lembrar de onde vimos.

Study programme competencies
Code Study programme competences
A1 Aplicar o coñecemento das diferentes áreas involucradas no Plano Formativo.
A2 Capacidade de comprensión da dimensión social e histórica do Deseño Industrial, vehículo para a creatividade e a búsqueda de solucións novas e efectivas.
A10 Comprensión das responsabilidades éticas e sociais derivadas da súa actividade profesional.
B1 Capacidade de comunicación oral e escrita de maneira efectiva con ética e responsabilidade social como cidadán e como profesional.
B2 Aplicar un pensamento crítico, lóxico e creativo para cuestionar a realidade, buscar e propoñer solucións innovadoras a nivel formal, funcional e técnico.
B3 Aprender a aprender. Capacidade para comprender e detectar as dinámicas e os mecanismos que estruturan a aparición e a dinámica de novas tendencias.
B4 Traballar de forma colaborativa. Coñecer as dinámicas de grupo e o traballo en equipo.
B6 Traballar de forma autónoma con iniciativa.
B11 Capacidade de análise e síntese.
C1 Adequate oral and written expression in the official languages
C3 Using ICT in working contexts and lifelong learning.
C8 Valuing the importance of research, innovation and technological development for the socioeconomic and cultural progress of society.

Learning aims
Learning outcomes Study programme competences
Coñecer as nocións xerais sobre estética e as linguaxes plásticas no ámbito do deseño de obxectos industriais de deseño. A1
A10
B1
B2
B3
B11
C1
Relacion e análise dun coñecemento teórico e histórico xeral sobre o deseño industrial e a súa estética. A1
A2
B3
C1
Capacidades para adquirir recursos intelectuais, plásicos e visuais necesarios para entender e interpretar os obxectos industriais de deseño. A2
B2
Capacidade de producir autónomamente formulacións estéticas a partir dos coñecementos adquiridos, dentro do proceso de desenvolvemento dun criterio crítico propio. A1
A2
B1
B4
B6
C1
C3
C8

Contents
Topic Sub-topic
01. PRELIMINARY. INDUSTRIAL DESIGN AND AESTHETICS. PRESENTATION
02. PRELIMINARY. INDUSTRIAL DESIGN AND AESTHETICS. DEFINITIONS
03. PRELIMINARY. INDUSTRIAL DESIGN AND AESTHETICS. RELATIONS
04. CLASSICAL AESTHETICS. AESTHETICS AND HISTORY I
05. AESTHETICS MIDDLE AGES. AESTHETICS AND HISTORY II
06. AESTHETICS REINASSANCE AND BAROQUE. AESTHETICS AND HISTORY III
07. AESTHETICS XVIII-XIX. AESTHETICS AND HISTORY IV
08. AESTHETICS AND MODERN DESIGN. MASTERS AND AUTHORSMAGISTER I
09. FORM, SCALE AND MATERIALS I. MAXISTERIO E AUTORES II
10. FORM, SCALE AND MATERIALS II. MAXISTERIO E AUTORES III
11. DESIGN I. EXPRESIÓN E SIGNIFICADO
12. DESIGN II. PEQUENA ESCALA
13. DESIGN III

Planning
Methodologies / tests Competencies Ordinary class hours Student’s personal work hours Total hours
Introductory activities A2 A10 1.5 0 1.5
Guest lecture / keynote speech A1 B2 B11 C8 17.5 17.5 35
Directed discussion A1 B1 B4 C1 C3 11 22 33
Collaborative learning B1 B2 B4 B11 C3 10 20 30
Supervised projects A1 A2 B3 B6 C1 C3 C8 0 35 35
Events academic / information A1 A2 B11 2 2 4
Objective test A1 B1 B6 B11 C1 1.5 9 10.5
 
Personalized attention 1 0 1
 
(*)The information in the planning table is for guidance only and does not take into account the heterogeneity of the students.

Methodologies
Methodologies Description
Introductory activities Necessary activities at the beginning of the global process, and also in each thematic block, in order to know the competences, interests and motivations that students have for the achievement of the objectives to be achieved, linked to a training program. With it, it is intended to obtain relevant information that allows to articulate the teaching to favor effective and significant learning, which starts from the previous knowledge of the students.
Guest lecture / keynote speech Oral presentation complemented by the use of audiovisual media and the introduction of some questions aimed at students, in order to transmit knowledge and facilitate learning. The master class is also known as "lecture", "expository method" or "guest lecture". This last modality is usually reserved for a special type of lesson given by a teacher on special occasions, with a contido that supposes an original elaboration and based on the almost exclusive use of the word as a means of transmitting information to the audience.
Directed discussion Group dynamics techniques in which members of a group discuss freely, informally and spontaneously on a topic, although they may be coordinated by a moderator.
Collaborative learning Set of teaching-apprenticeship procedures guided in person and / or supported with information and communication technologies, which are based on the organization of the class in small groups in which the students work together in the resolution of tasks assigned by the teachers to optimize their own learning and that of the other members of the group.
Supervised projects Mandatory practices in relation to the syllabus developed individually or in groups and of variable duration throughout the semester.
Events academic / information Preparation of material synthesis of the work done in the subject for joint exhibition at the end of the course in the event organized by the Department of Architectural Design, Urbanism and Composition. Attendance at informative events (congresses, conferences, symposia, conferences, etc.), indicated by the teaching staff of the subject as part of the teaching content of the course, with the aim of providing students with knowledge and current experiences related to a certain field of study.
Objective test Written test used for the endorsement of learning, whose distinctive feature is the possibility of determining whether or not the answers given are correct. It is a measuring instrument, rigorously developed, that allows to evaluate knowledge, capacities, skills, performance, aptitudes, attitudes, intelligence, etc. It is applicable both for diagnostic, formative and summative evaluation. The objective test can combine different types of questions: multiple-choice, sorting, short-answer, discrimination, completion, and/or association questions. It can also be constructed with a single type of some of these questions.

Personalized attention
Methodologies
Introductory activities
Collaborative learning
Objective test
Supervised projects
Description
The learning of the student will be sought, understanding that the personalized guidance of the teacher will have to seek and cause the proper achievement of the different actions that occurred both in the classroom and outside this to achieve, according to the indicated criteria, the objectives of the subject. It may be produced both in person and through electronic media linked to teaching.

Assessment
Methodologies Competencies Description Qualification
Objective test A1 B1 B6 B11 C1 Several theoretical-practical questions consisting of specific questions to be answered entirety, which allow to verify the assimilation of the contens of the subject 30
Supervised projects A1 A2 B3 B6 C1 C3 C8 Satisfactory and accurate work related to the adequate progression throughout the course both individual and group work. 70
 
Assessment comments

For the evaluation of the subject, the weighted sum of work / s tutored work will be considered but the objective test. Each part will be graded from 0 to 10 points, being necessary to reach a minimum score of 4 in all of them (included parts of objective test) to pass the subject.

Attendance and participation in face to face classes will be necessary to be evaluated, with an admissible minimum of 80%.

The objective theoretical-practical tests will consist of specific questions that will have to be entirely answered and in which the graphic contribution of the students will be valued.

Tutored Works will be practical exercises for personal or group elaboration in which web support may be used

In order to enter to any of the opportunities the student will have to have delivered the individual and group work of the course in term, as well as minimal assistance. The works delivered out of time will be valued at 50%

The general requirement of assistance will not take effect to part-time or accademic dispense students according to dedication, permanence and progressions specific UDC norm. The follow-up of the course and authorship of work will be verified with compliance with mandatory tutoring. For students who are part-time enrolled, the percentage corresponding to
individual work will be 35%, the obligation to deliver group
work is eliminated so the percent of the objective test is 65%.

With regard to plagiarism,
it´ll rule the Article 14 of the Standards for evaluation, review and claim of
qualifications for undergraduate and graduate studies at the UDC will be
taken into account. The detection of plagiarims, as well as the fraudulent performance of the test or evaluation activities, once verified, will imply que qualification of '0' in the subject in the corresponding call, thus invalidating any grade obtained in all the activities for the extraordinary call.

Diversity attention: The subject may be adapted to students who require the adoption of measures aimed at supporting diversity (physical, visual, auditory, cognitive, learning or related to mental health). If this is the case, they must contact the services available at the UDC / center: within the official deadlines stipulated prior to each academic quarter, with the Diversity Attention Unit (https://www.udc.es/cufie/ADI/apoioalumnado/); failing that, with the ADI tutor of the School.


Sources of information
Basic

-VALVERDE, J.M., BREVE HISTORIA Y ANTOLOGÍA DE LA ESTÉTICA, EDITORIAL ARIEL, 1978, Libro,

-VITRUVIO M. P., DE ARCHITECTURA, Libro,

-MOORE / ALLEN, DIMENSIONES DE LA ARQUITECTURA, GUSTAVO GILI, 1978, Libro,

-BENÉVOLO, L., DISEÑO DE LA CIUDAD, GUSTAVO GILI, 1979, Libro,

-DE FUSCO, R. HISTORIA DEL DISEÑO, SANTA Y COLE, 2005, Libro,

-DORFLES, G., EL DISEÑO INDUSTRIAL Y SU ESTÉTICA, EDITORIAL LABOR, 1977, Libro,

-GREGOTTI, V., EL TERRITORIO DE LA ARQUITECTURA, GUSTAVO GILI, 1972, Libro,

-WLADYSLAW TATARKIEWICZ, HISTORIA DE LA ESTÉTICA (T. II): LA ESTÉTICA MEDIEVAL, EDICIONES AKAL, S.A., 1991, Libro,

-WLADYSLAW TATARKIEWICZ, HISTORIA DE LA ESTÉTICA (T.I): LA ESTÉTICA ANTIGUA, EDICIONES AKAL, S.A., 1991, Libro,

-WLADYSLAW TATARKIEWICZ, HISTORIA DE LA ESTÉTICA (T.III): LA ESTÉTICA MODERNA: 1400-1700, EDICIONES AKAL, S.A., 1991, Libro,

-WLADYSLAW TATARKIEWICZ, HISTORIA DE SEIS IDEAS: ARTE, BELLEZA, FORMA, CREATIVIDAD, MÍMESIS, EXPERIENCIA ESTÉTICA, EDITORIAL TECNOS, 2002, Libro,

Complementary

-BÜRDEK, B., DISEÑO. HISTORIA, TEORÍA Y PRÁCTICA DEL DISEÑO INDUSTRIAL, GUSTAVO GILI, 1994, Libro,

-NEUHART, J. + NEUHART, M. + EAMES R., EAMES DESIGN, EDITORIAL ABRAHMS, NY, 1994, Libro,

-EHRENZWEIG, A., EL ORDEN OCULTO DEL ARTE, LABOR, 1973, Libro,

-EHRENZWEIG, A., EL SENTIDO DEL ORDEN, GUSTAVO GILI, 1980, Libro,

-MARCHÁN FIZ, S., EL UNIVERSO DEL ARTE, SALVAT, 1981, Libro,

-FIEDLER, K., ESCRITOS SOBRE ARTE, VISOR DISTRIBUCIONES, S.A., 1990, Libro,

-MORAWSKI, S., FUNDAMENTOS DE LA ESTÉTICA, EDICIÓNS 62 BARCELONA, 1977, Libro,

-JIMÉNEZ, J., IMÁGENES DEL HOMBRE. FUNDAMENTOS DE LA ESTÉTICA, TECNOS, 1986, Libro,

-CARRIT, E.F., INTRODUCCIÓN A LA ESTÉTICA, FONDO DE CULTURA ECONÓMICA, MÉJICO, 1951, Libro,

-ACKERMAN J.S., LA ARQUITECTURA DE MIGUEL ANGEL, CELESTE EDICIONES, 1997, Libro,

-RICARD, A., LA AVENTURA CREATIVA, EDITORIAL ARIEL, 2000, Libro,

-SCRUTON, R., LA EXPERIENCIA DE LA ESTÉTICA, F.C.E. MÉJICO, 1987, Libro,

-MAQUET, J., LA EXPERIENCIA ESTÉTICA, CELESTE/UNIVERSIDAD, 1999, Libro,

-ROCK, I., LA PERCEPCIÓN, LABOR, 1985, Libro,

-GIBSON, J.J., LA PERCEPCIÓN DEL MUNDO VISUAL, INFINITO, 1974, Libro,

-RUSKIN, J., LAS SIETE LÁMPARAS DE LA ARQUITECTURA, , , Libro,

-BERGER, J., MODOS DE VER, GUSTAVO GILI, 1980, Libro,

-LOOS, A., ORNAMENTO Y DELITO, GUSTAVO GILI, 1980, Libro,

-PEVSNER, N., PIONEROS DEL DISEÑO MODERNO, EDICIONES INFINITO, 1963, Libro,

-BARASCH, M., TEORÍAS DEL ARTE. DE PLATÓN A WINCKELMANN, ALIANZA, 1991, Libro,

-GREGORY, R.L., THE INTELLIGENT EYE, , 1970, Libro,

-AA.VV, THE WORK OR CHARLES AND RAY EAMES, EDITORIAL ABRAHMS, NY, 1997, Libro,

-FERRANT, A., TODO SE PARECE A ALGO. ESCRITOS Y TESTIMONIOS, EDITORIAL VISOR, 1997, Libro,

-ARGULLOL, R., TRES MIRADAS SOBRE EL ARTE, DESTINO, 1989, Libro,

-MUNARI, B., ¿COMO NACEN LOS OBJETOS?, EDITORIAL LABOR, 1983, Libro,


Recommendations
Subjects that it is recommended to have taken before
Contemporary Industrial Design/771G01028
History of Art and Design/771G01038
History of Design/771G01039

Subjects that are recommended to be taken simultaneously

Subjects that continue the syllabus

Other comments


(*)The teaching guide is the document in which the URV publishes the information about all its courses. It is a public document and cannot be modified. Only in exceptional cases can it be revised by the competent agent or duly revised so that it is in line with current legislation.